Listening closely can create a whole new appreciation for language. Words and dialogue often carry more than one meaning, and British playwright William Wycherley knew this all too well. Over time, his success has derived in large part to the verbal witticisms he employed in his works. Wycherley proved that a simple adjustment of light and direction can reveal an entire slew of references in regards to words such as "china collection" or names like "Horner." In his play, "The Country Wife," Wycherley used them as metaphors to address and satirize issues within London society.
This month, professor and director Jon W. Hallquist has chosen to reproduce Wycherley's restoration comedy through Vanderbilt Theatre.
"We haven't done a Restoration play in a long time, so we decided to do one for the benefit of the student," Hallquist said. "Anyone who loves language would appreciate it."
The term, restoration, refers to the return of the monarchy in Great Britain after 1660. Because of the transition within government, society was no longer to be ruled by a puritanical code of law. As a result, British culture flourished and a series of comedies that mocked the social hypocrisy of the elite arose within the theatre. "The Country Wife" was one such comedy.
Upon its release, the play caused turmoil among unaccustomed audiences for its sexual explicitness. Even though King Charles II became a patron of Wycherley's talent, it was eventually forced off stage. Having lived in France for some time, Wycherley had come in contact with the works of French playwright Moliere. Both were known for their biting satires and humor, but Wycherley added his own linguistic style to the mix.
Deceit and miscommunication both drive and tangle the three plots that compose "The Country Wife." The supposedly impotent Mr. Horner causes strange behavior among the women of prominent London gallants and before the end of the show, cuckolds are made of various husbands. And the country wife? Wycherley provides both a startling and unexpected resolution for the audience who must figure out the difference between the characters' masks and true colors.
"Because it's restoration comedy, it's very stylized and all about the different masks that you wear," says coordinator and actress, Annie Weisner. "Every single character thinks they're the center of the universe so it's all about channeling this vanity and really wanting everyone to look at you and to speak perfectly and to walk perfectly and to never make a mistake, basically. My character, Lady Fidget, for instance, is a hundred percent wrapped up in what society thinks. In front of her husband, she is pious, upright and outstanding, but the moment he leaves, she becomes this sex vixen."
Though the complex and layered dialogue requires extra attention from the audience, the character portrayals are humorous and worthwhile to see. Wycherley's classic play captures not only the contrasting natures of rigidity and immorality, but also issues that rupture relationships between men and women.
All shows take place at the Neely Auditorium. Please visit the Vanderbilt Theatre's Web site for further information.